Some proofreading and fixes here and there.

[ibg.git] / chapters / 01.rst

diff --git a/chapters/01.rst b/chapters/01.rst
index 4aa43f396965105fcc4d30be4bbb6e35ab399f66..119904c9b303bc16c158d99726076e86b35c1451 100644 (file)
--- a/chapters/01.rst
+++ b/chapters/01.rst
@@ -10,6 +10,7 @@
    | *B was a butcher, who had a great dog.*
 
 .. only:: html
+
   .. image:: /images/picB.png
      :align: left
 
@@ -144,8 +145,8 @@ Some of the more obvious differences are highlighted by these questions:
 
     Our example of narrative prose is written in the third person; it
     refers to the hero as "Wilhelm" and "he" and "him", watching and
-    reporting on his activities from afar.  In this sample IF game, you are
-    the hero, seeing everything through Wilhelm's eyes.
+    reporting on his activities from afar.  In this sample IF game,
+    *you* are the hero, seeing everything through Wilhelm's eyes.
 
 *   What happens next?
 
@@ -167,7 +168,7 @@ Some of the more obvious differences are highlighted by these questions:
 
     You can tell when you've come to the end of a regular narrative -- you
     read the last sentence, and you know there's no more.  In IF, it's
-    clear enough when you reach an end; what's much less apparent is
+    clear enough when you reach *an* end; what's much less apparent is
     whether that's the only conclusion.  In the transcript from the example
     game, you win by shooting the apple from Walter's head.  But what if
     you miss?  What if you hit him by mistake?  Or fire instead at the