--- /dev/null
+ GNU AFFERO GENERAL PUBLIC LICENSE
+ Version 3, 19 November 2007
+
+ Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/>
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The GNU Affero General Public License is a free, copyleft license for
+software and other kinds of works, specifically designed to ensure
+cooperation with the community in the case of network server software.
+
+ The licenses for most software and other practical works are designed
+to take away your freedom to share and change the works. By contrast,
+our General Public Licenses are intended to guarantee your freedom to
+share and change all versions of a program--to make sure it remains free
+software for all its users.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+them if you wish), that you receive source code or can get it if you
+want it, that you can change the software or use pieces of it in new
+free programs, and that you know you can do these things.
+
+ Developers that use our General Public Licenses protect your rights
+with two steps: (1) assert copyright on the software, and (2) offer
+you this License which gives you legal permission to copy, distribute
+and/or modify the software.
+
+ A secondary benefit of defending all users' freedom is that
+improvements made in alternate versions of the program, if they
+receive widespread use, become available for other developers to
+incorporate. Many developers of free software are heartened and
+encouraged by the resulting cooperation. However, in the case of
+software used on network servers, this result may fail to come about.
+The GNU General Public License permits making a modified version and
+letting the public access it on a server without ever releasing its
+source code to the public.
+
+ The GNU Affero General Public License is designed specifically to
+ensure that, in such cases, the modified source code becomes available
+to the community. It requires the operator of a network server to
+provide the source code of the modified version running there to the
+users of that server. Therefore, public use of a modified version, on
+a publicly accessible server, gives the public access to the source
+code of the modified version.
+
+ An older license, called the Affero General Public License and
+published by Affero, was designed to accomplish similar goals. This is
+a different license, not a version of the Affero GPL, but Affero has
+released a new version of the Affero GPL which permits relicensing under
+this license.
+
+ The precise terms and conditions for copying, distribution and
+modification follow.
+
+ TERMS AND CONDITIONS
+
+ 0. Definitions.
+
+ "This License" refers to version 3 of the GNU Affero General Public License.
+
+ "Copyright" also means copyright-like laws that apply to other kinds of
+works, such as semiconductor masks.
+
+ "The Program" refers to any copyrightable work licensed under this
+License. Each licensee is addressed as "you". "Licensees" and
+"recipients" may be individuals or organizations.
+
+ To "modify" a work means to copy from or adapt all or part of the work
+in a fashion requiring copyright permission, other than the making of an
+exact copy. The resulting work is called a "modified version" of the
+earlier work or a work "based on" the earlier work.
+
+ A "covered work" means either the unmodified Program or a work based
+on the Program.
+
+ To "propagate" a work means to do anything with it that, without
+permission, would make you directly or secondarily liable for
+infringement under applicable copyright law, except executing it on a
+computer or modifying a private copy. Propagation includes copying,
+distribution (with or without modification), making available to the
+public, and in some countries other activities as well.
+
+ To "convey" a work means any kind of propagation that enables other
+parties to make or receive copies. Mere interaction with a user through
+a computer network, with no transfer of a copy, is not conveying.
+
+ An interactive user interface displays "Appropriate Legal Notices"
+to the extent that it includes a convenient and prominently visible
+feature that (1) displays an appropriate copyright notice, and (2)
+tells the user that there is no warranty for the work (except to the
+extent that warranties are provided), that licensees may convey the
+work under this License, and how to view a copy of this License. If
+the interface presents a list of user commands or options, such as a
+menu, a prominent item in the list meets this criterion.
+
+ 1. Source Code.
+
+ The "source code" for a work means the preferred form of the work
+for making modifications to it. "Object code" means any non-source
+form of a work.
+
+ A "Standard Interface" means an interface that either is an official
+standard defined by a recognized standards body, or, in the case of
+interfaces specified for a particular programming language, one that
+is widely used among developers working in that language.
+
+ The "System Libraries" of an executable work include anything, other
+than the work as a whole, that (a) is included in the normal form of
+packaging a Major Component, but which is not part of that Major
+Component, and (b) serves only to enable use of the work with that
+Major Component, or to implement a Standard Interface for which an
+implementation is available to the public in source code form. A
+"Major Component", in this context, means a major essential component
+(kernel, window system, and so on) of the specific operating system
+(if any) on which the executable work runs, or a compiler used to
+produce the work, or an object code interpreter used to run it.
+
+ The "Corresponding Source" for a work in object code form means all
+the source code needed to generate, install, and (for an executable
+work) run the object code and to modify the work, including scripts to
+control those activities. However, it does not include the work's
+System Libraries, or general-purpose tools or generally available free
+programs which are used unmodified in performing those activities but
+which are not part of the work. For example, Corresponding Source
+includes interface definition files associated with source files for
+the work, and the source code for shared libraries and dynamically
+linked subprograms that the work is specifically designed to require,
+such as by intimate data communication or control flow between those
+subprograms and other parts of the work.
+
+ The Corresponding Source need not include anything that users
+can regenerate automatically from other parts of the Corresponding
+Source.
+
+ The Corresponding Source for a work in source code form is that
+same work.
+
+ 2. Basic Permissions.
+
+ All rights granted under this License are granted for the term of
+copyright on the Program, and are irrevocable provided the stated
+conditions are met. This License explicitly affirms your unlimited
+permission to run the unmodified Program. The output from running a
+covered work is covered by this License only if the output, given its
+content, constitutes a covered work. This License acknowledges your
+rights of fair use or other equivalent, as provided by copyright law.
+
+ You may make, run and propagate covered works that you do not
+convey, without conditions so long as your license otherwise remains
+in force. You may convey covered works to others for the sole purpose
+of having them make modifications exclusively for you, or provide you
+with facilities for running those works, provided that you comply with
+the terms of this License in conveying all material for which you do
+not control copyright. Those thus making or running the covered works
+for you must do so exclusively on your behalf, under your direction
+and control, on terms that prohibit them from making any copies of
+your copyrighted material outside their relationship with you.
+
+ Conveying under any other circumstances is permitted solely under
+the conditions stated below. Sublicensing is not allowed; section 10
+makes it unnecessary.
+
+ 3. Protecting Users' Legal Rights From Anti-Circumvention Law.
+
+ No covered work shall be deemed part of an effective technological
+measure under any applicable law fulfilling obligations under article
+11 of the WIPO copyright treaty adopted on 20 December 1996, or
+similar laws prohibiting or restricting circumvention of such
+measures.
+
+ When you convey a covered work, you waive any legal power to forbid
+circumvention of technological measures to the extent such circumvention
+is effected by exercising rights under this License with respect to
+the covered work, and you disclaim any intention to limit operation or
+modification of the work as a means of enforcing, against the work's
+users, your or third parties' legal rights to forbid circumvention of
+technological measures.
+
+ 4. Conveying Verbatim Copies.
+
+ You may convey verbatim copies of the Program's source code as you
+receive it, in any medium, provided that you conspicuously and
+appropriately publish on each copy an appropriate copyright notice;
+keep intact all notices stating that this License and any
+non-permissive terms added in accord with section 7 apply to the code;
+keep intact all notices of the absence of any warranty; and give all
+recipients a copy of this License along with the Program.
+
+ You may charge any price or no price for each copy that you convey,
+and you may offer support or warranty protection for a fee.
+
+ 5. Conveying Modified Source Versions.
+
+ You may convey a work based on the Program, or the modifications to
+produce it from the Program, in the form of source code under the
+terms of section 4, provided that you also meet all of these conditions:
+
+ a) The work must carry prominent notices stating that you modified
+ it, and giving a relevant date.
+
+ b) The work must carry prominent notices stating that it is
+ released under this License and any conditions added under section
+ 7. This requirement modifies the requirement in section 4 to
+ "keep intact all notices".
+
+ c) You must license the entire work, as a whole, under this
+ License to anyone who comes into possession of a copy. This
+ License will therefore apply, along with any applicable section 7
+ additional terms, to the whole of the work, and all its parts,
+ regardless of how they are packaged. This License gives no
+ permission to license the work in any other way, but it does not
+ invalidate such permission if you have separately received it.
+
+ d) If the work has interactive user interfaces, each must display
+ Appropriate Legal Notices; however, if the Program has interactive
+ interfaces that do not display Appropriate Legal Notices, your
+ work need not make them do so.
+
+ A compilation of a covered work with other separate and independent
+works, which are not by their nature extensions of the covered work,
+and which are not combined with it such as to form a larger program,
+in or on a volume of a storage or distribution medium, is called an
+"aggregate" if the compilation and its resulting copyright are not
+used to limit the access or legal rights of the compilation's users
+beyond what the individual works permit. Inclusion of a covered work
+in an aggregate does not cause this License to apply to the other
+parts of the aggregate.
+
+ 6. Conveying Non-Source Forms.
+
+ You may convey a covered work in object code form under the terms
+of sections 4 and 5, provided that you also convey the
+machine-readable Corresponding Source under the terms of this License,
+in one of these ways:
+
+ a) Convey the object code in, or embodied in, a physical product
+ (including a physical distribution medium), accompanied by the
+ Corresponding Source fixed on a durable physical medium
+ customarily used for software interchange.
+
+ b) Convey the object code in, or embodied in, a physical product
+ (including a physical distribution medium), accompanied by a
+ written offer, valid for at least three years and valid for as
+ long as you offer spare parts or customer support for that product
+ model, to give anyone who possesses the object code either (1) a
+ copy of the Corresponding Source for all the software in the
+ product that is covered by this License, on a durable physical
+ medium customarily used for software interchange, for a price no
+ more than your reasonable cost of physically performing this
+ conveying of source, or (2) access to copy the
+ Corresponding Source from a network server at no charge.
+
+ c) Convey individual copies of the object code with a copy of the
+ written offer to provide the Corresponding Source. This
+ alternative is allowed only occasionally and noncommercially, and
+ only if you received the object code with such an offer, in accord
+ with subsection 6b.
+
+ d) Convey the object code by offering access from a designated
+ place (gratis or for a charge), and offer equivalent access to the
+ Corresponding Source in the same way through the same place at no
+ further charge. You need not require recipients to copy the
+ Corresponding Source along with the object code. If the place to
+ copy the object code is a network server, the Corresponding Source
+ may be on a different server (operated by you or a third party)
+ that supports equivalent copying facilities, provided you maintain
+ clear directions next to the object code saying where to find the
+ Corresponding Source. Regardless of what server hosts the
+ Corresponding Source, you remain obligated to ensure that it is
+ available for as long as needed to satisfy these requirements.
+
+ e) Convey the object code using peer-to-peer transmission, provided
+ you inform other peers where the object code and Corresponding
+ Source of the work are being offered to the general public at no
+ charge under subsection 6d.
+
+ A separable portion of the object code, whose source code is excluded
+from the Corresponding Source as a System Library, need not be
+included in conveying the object code work.
+
+ A "User Product" is either (1) a "consumer product", which means any
+tangible personal property which is normally used for personal, family,
+or household purposes, or (2) anything designed or sold for incorporation
+into a dwelling. In determining whether a product is a consumer product,
+doubtful cases shall be resolved in favor of coverage. For a particular
+product received by a particular user, "normally used" refers to a
+typical or common use of that class of product, regardless of the status
+of the particular user or of the way in which the particular user
+actually uses, or expects or is expected to use, the product. A product
+is a consumer product regardless of whether the product has substantial
+commercial, industrial or non-consumer uses, unless such uses represent
+the only significant mode of use of the product.
+
+ "Installation Information" for a User Product means any methods,
+procedures, authorization keys, or other information required to install
+and execute modified versions of a covered work in that User Product from
+a modified version of its Corresponding Source. The information must
+suffice to ensure that the continued functioning of the modified object
+code is in no case prevented or interfered with solely because
+modification has been made.
+
+ If you convey an object code work under this section in, or with, or
+specifically for use in, a User Product, and the conveying occurs as
+part of a transaction in which the right of possession and use of the
+User Product is transferred to the recipient in perpetuity or for a
+fixed term (regardless of how the transaction is characterized), the
+Corresponding Source conveyed under this section must be accompanied
+by the Installation Information. But this requirement does not apply
+if neither you nor any third party retains the ability to install
+modified object code on the User Product (for example, the work has
+been installed in ROM).
+
+ The requirement to provide Installation Information does not include a
+requirement to continue to provide support service, warranty, or updates
+for a work that has been modified or installed by the recipient, or for
+the User Product in which it has been modified or installed. Access to a
+network may be denied when the modification itself materially and
+adversely affects the operation of the network or violates the rules and
+protocols for communication across the network.
+
+ Corresponding Source conveyed, and Installation Information provided,
+in accord with this section must be in a format that is publicly
+documented (and with an implementation available to the public in
+source code form), and must require no special password or key for
+unpacking, reading or copying.
+
+ 7. Additional Terms.
+
+ "Additional permissions" are terms that supplement the terms of this
+License by making exceptions from one or more of its conditions.
+Additional permissions that are applicable to the entire Program shall
+be treated as though they were included in this License, to the extent
+that they are valid under applicable law. If additional permissions
+apply only to part of the Program, that part may be used separately
+under those permissions, but the entire Program remains governed by
+this License without regard to the additional permissions.
+
+ When you convey a copy of a covered work, you may at your option
+remove any additional permissions from that copy, or from any part of
+it. (Additional permissions may be written to require their own
+removal in certain cases when you modify the work.) You may place
+additional permissions on material, added by you to a covered work,
+for which you have or can give appropriate copyright permission.
+
+ Notwithstanding any other provision of this License, for material you
+add to a covered work, you may (if authorized by the copyright holders of
+that material) supplement the terms of this License with terms:
+
+ a) Disclaiming warranty or limiting liability differently from the
+ terms of sections 15 and 16 of this License; or
+
+ b) Requiring preservation of specified reasonable legal notices or
+ author attributions in that material or in the Appropriate Legal
+ Notices displayed by works containing it; or
+
+ c) Prohibiting misrepresentation of the origin of that material, or
+ requiring that modified versions of such material be marked in
+ reasonable ways as different from the original version; or
+
+ d) Limiting the use for publicity purposes of names of licensors or
+ authors of the material; or
+
+ e) Declining to grant rights under trademark law for use of some
+ trade names, trademarks, or service marks; or
+
+ f) Requiring indemnification of licensors and authors of that
+ material by anyone who conveys the material (or modified versions of
+ it) with contractual assumptions of liability to the recipient, for
+ any liability that these contractual assumptions directly impose on
+ those licensors and authors.
+
+ All other non-permissive additional terms are considered "further
+restrictions" within the meaning of section 10. If the Program as you
+received it, or any part of it, contains a notice stating that it is
+governed by this License along with a term that is a further
+restriction, you may remove that term. If a license document contains
+a further restriction but permits relicensing or conveying under this
+License, you may add to a covered work material governed by the terms
+of that license document, provided that the further restriction does
+not survive such relicensing or conveying.
+
+ If you add terms to a covered work in accord with this section, you
+must place, in the relevant source files, a statement of the
+additional terms that apply to those files, or a notice indicating
+where to find the applicable terms.
+
+ Additional terms, permissive or non-permissive, may be stated in the
+form of a separately written license, or stated as exceptions;
+the above requirements apply either way.
+
+ 8. Termination.
+
+ You may not propagate or modify a covered work except as expressly
+provided under this License. Any attempt otherwise to propagate or
+modify it is void, and will automatically terminate your rights under
+this License (including any patent licenses granted under the third
+paragraph of section 11).
+
+ However, if you cease all violation of this License, then your
+license from a particular copyright holder is reinstated (a)
+provisionally, unless and until the copyright holder explicitly and
+finally terminates your license, and (b) permanently, if the copyright
+holder fails to notify you of the violation by some reasonable means
+prior to 60 days after the cessation.
+
+ Moreover, your license from a particular copyright holder is
+reinstated permanently if the copyright holder notifies you of the
+violation by some reasonable means, this is the first time you have
+received notice of violation of this License (for any work) from that
+copyright holder, and you cure the violation prior to 30 days after
+your receipt of the notice.
+
+ Termination of your rights under this section does not terminate the
+licenses of parties who have received copies or rights from you under
+this License. If your rights have been terminated and not permanently
+reinstated, you do not qualify to receive new licenses for the same
+material under section 10.
+
+ 9. Acceptance Not Required for Having Copies.
+
+ You are not required to accept this License in order to receive or
+run a copy of the Program. Ancillary propagation of a covered work
+occurring solely as a consequence of using peer-to-peer transmission
+to receive a copy likewise does not require acceptance. However,
+nothing other than this License grants you permission to propagate or
+modify any covered work. These actions infringe copyright if you do
+not accept this License. Therefore, by modifying or propagating a
+covered work, you indicate your acceptance of this License to do so.
+
+ 10. Automatic Licensing of Downstream Recipients.
+
+ Each time you convey a covered work, the recipient automatically
+receives a license from the original licensors, to run, modify and
+propagate that work, subject to this License. You are not responsible
+for enforcing compliance by third parties with this License.
+
+ An "entity transaction" is a transaction transferring control of an
+organization, or substantially all assets of one, or subdividing an
+organization, or merging organizations. If propagation of a covered
+work results from an entity transaction, each party to that
+transaction who receives a copy of the work also receives whatever
+licenses to the work the party's predecessor in interest had or could
+give under the previous paragraph, plus a right to possession of the
+Corresponding Source of the work from the predecessor in interest, if
+the predecessor has it or can get it with reasonable efforts.
+
+ You may not impose any further restrictions on the exercise of the
+rights granted or affirmed under this License. For example, you may
+not impose a license fee, royalty, or other charge for exercise of
+rights granted under this License, and you may not initiate litigation
+(including a cross-claim or counterclaim in a lawsuit) alleging that
+any patent claim is infringed by making, using, selling, offering for
+sale, or importing the Program or any portion of it.
+
+ 11. Patents.
+
+ A "contributor" is a copyright holder who authorizes use under this
+License of the Program or a work on which the Program is based. The
+work thus licensed is called the contributor's "contributor version".
+
+ A contributor's "essential patent claims" are all patent claims
+owned or controlled by the contributor, whether already acquired or
+hereafter acquired, that would be infringed by some manner, permitted
+by this License, of making, using, or selling its contributor version,
+but do not include claims that would be infringed only as a
+consequence of further modification of the contributor version. For
+purposes of this definition, "control" includes the right to grant
+patent sublicenses in a manner consistent with the requirements of
+this License.
+
+ Each contributor grants you a non-exclusive, worldwide, royalty-free
+patent license under the contributor's essential patent claims, to
+make, use, sell, offer for sale, import and otherwise run, modify and
+propagate the contents of its contributor version.
+
+ In the following three paragraphs, a "patent license" is any express
+agreement or commitment, however denominated, not to enforce a patent
+(such as an express permission to practice a patent or covenant not to
+sue for patent infringement). To "grant" such a patent license to a
+party means to make such an agreement or commitment not to enforce a
+patent against the party.
+
+ If you convey a covered work, knowingly relying on a patent license,
+and the Corresponding Source of the work is not available for anyone
+to copy, free of charge and under the terms of this License, through a
+publicly available network server or other readily accessible means,
+then you must either (1) cause the Corresponding Source to be so
+available, or (2) arrange to deprive yourself of the benefit of the
+patent license for this particular work, or (3) arrange, in a manner
+consistent with the requirements of this License, to extend the patent
+license to downstream recipients. "Knowingly relying" means you have
+actual knowledge that, but for the patent license, your conveying the
+covered work in a country, or your recipient's use of the covered work
+in a country, would infringe one or more identifiable patents in that
+country that you have reason to believe are valid.
+
+ If, pursuant to or in connection with a single transaction or
+arrangement, you convey, or propagate by procuring conveyance of, a
+covered work, and grant a patent license to some of the parties
+receiving the covered work authorizing them to use, propagate, modify
+or convey a specific copy of the covered work, then the patent license
+you grant is automatically extended to all recipients of the covered
+work and works based on it.
+
+ A patent license is "discriminatory" if it does not include within
+the scope of its coverage, prohibits the exercise of, or is
+conditioned on the non-exercise of one or more of the rights that are
+specifically granted under this License. You may not convey a covered
+work if you are a party to an arrangement with a third party that is
+in the business of distributing software, under which you make payment
+to the third party based on the extent of your activity of conveying
+the work, and under which the third party grants, to any of the
+parties who would receive the covered work from you, a discriminatory
+patent license (a) in connection with copies of the covered work
+conveyed by you (or copies made from those copies), or (b) primarily
+for and in connection with specific products or compilations that
+contain the covered work, unless you entered into that arrangement,
+or that patent license was granted, prior to 28 March 2007.
+
+ Nothing in this License shall be construed as excluding or limiting
+any implied license or other defenses to infringement that may
+otherwise be available to you under applicable patent law.
+
+ 12. No Surrender of Others' Freedom.
+
+ If conditions are imposed on you (whether by court order, agreement or
+otherwise) that contradict the conditions of this License, they do not
+excuse you from the conditions of this License. If you cannot convey a
+covered work so as to satisfy simultaneously your obligations under this
+License and any other pertinent obligations, then as a consequence you may
+not convey it at all. For example, if you agree to terms that obligate you
+to collect a royalty for further conveying from those to whom you convey
+the Program, the only way you could satisfy both those terms and this
+License would be to refrain entirely from conveying the Program.
+
+ 13. Remote Network Interaction; Use with the GNU General Public License.
+
+ Notwithstanding any other provision of this License, if you modify the
+Program, your modified version must prominently offer all users
+interacting with it remotely through a computer network (if your version
+supports such interaction) an opportunity to receive the Corresponding
+Source of your version by providing access to the Corresponding Source
+from a network server at no charge, through some standard or customary
+means of facilitating copying of software. This Corresponding Source
+shall include the Corresponding Source for any work covered by version 3
+of the GNU General Public License that is incorporated pursuant to the
+following paragraph.
+
+ Notwithstanding any other provision of this License, you have
+permission to link or combine any covered work with a work licensed
+under version 3 of the GNU General Public License into a single
+combined work, and to convey the resulting work. The terms of this
+License will continue to apply to the part which is the covered work,
+but the work with which it is combined will remain governed by version
+3 of the GNU General Public License.
+
+ 14. Revised Versions of this License.
+
+ The Free Software Foundation may publish revised and/or new versions of
+the GNU Affero General Public License from time to time. Such new versions
+will be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+ Each version is given a distinguishing version number. If the
+Program specifies that a certain numbered version of the GNU Affero General
+Public License "or any later version" applies to it, you have the
+option of following the terms and conditions either of that numbered
+version or of any later version published by the Free Software
+Foundation. If the Program does not specify a version number of the
+GNU Affero General Public License, you may choose any version ever published
+by the Free Software Foundation.
+
+ If the Program specifies that a proxy can decide which future
+versions of the GNU Affero General Public License can be used, that proxy's
+public statement of acceptance of a version permanently authorizes you
+to choose that version for the Program.
+
+ Later license versions may give you additional or different
+permissions. However, no additional obligations are imposed on any
+author or copyright holder as a result of your choosing to follow a
+later version.
+
+ 15. Disclaimer of Warranty.
+
+ THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
+APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
+HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
+OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
+THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
+PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
+IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
+ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
+
+ 16. Limitation of Liability.
+
+ IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
+THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
+GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
+USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
+DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
+PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
+EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
+SUCH DAMAGES.
+
+ 17. Interpretation of Sections 15 and 16.
+
+ If the disclaimer of warranty and limitation of liability provided
+above cannot be given local legal effect according to their terms,
+reviewing courts shall apply local law that most closely approximates
+an absolute waiver of all civil liability in connection with the
+Program, unless a warranty or assumption of liability accompanies a
+copy of the Program in return for a fee.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+state the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) <year> <name of author>
+
+ This program is free software: you can redistribute it and/or modify
+ it under the terms of the GNU Affero General Public License as published by
+ the Free Software Foundation, either version 3 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU Affero General Public License for more details.
+
+ You should have received a copy of the GNU Affero General Public License
+ along with this program. If not, see <https://www.gnu.org/licenses/>.
+
+Also add information on how to contact you by electronic and paper mail.
+
+ If your software can interact with users remotely through a computer
+network, you should also make sure that it provides a way for users to
+get its source. For example, if your program is a web application, its
+interface could display a "Source" link that leads users to an archive
+of the code. There are many ways you could offer source, and different
+solutions will be better for different programs; see section 13 for the
+specific requirements.
+
+ You should also get your employer (if you work as a programmer) or school,
+if any, to sign a "copyright disclaimer" for the program, if necessary.
+For more information on this, and how to apply and follow the GNU AGPL, see
+<https://www.gnu.org/licenses/>.
--- /dev/null
+# SPDX-FileCopyrightText: 2022 Jason Self <j@jxself.org>
+# SPDX-License-Identifier: AGPL-3.0-or-later
+#
+# You can redistribute and/or modify this story under the terms of the
+# GNU Affero General Public License as published by the Free Software
+# Foundation, either version 3 of the License, or (at your option) any
+# later version.
+#
+# You should have received a copy of the GNU Affero General Public
+# License along with this story. If not, see
+# <https://www.gnu.org/licenses/>.
+
+==== Harlan: Thief ====
+
+Harlan had been sitting on the edge of the roof for the past hour,
+waiting for Mellie. She always walked this way after she got off work
+and he could keep an eye on her. The streets and especially the alleys
+were dangerous away from APD headquarters. This was about as close as
+he dared come to the headquarters complex. Too many cameras, too many
+infrared imagers seeking live sources.
+
+Those few blocks to the complex were safe, particularly for
+detectives. Mellie was one of the best. She could take down four or
+five attackers. But sometimes there were more, hiding in the crevasses
+of the alleys, crouching behind trash disposals, hanging from second
+floor windows. That's why Harlan waited. He would not allow anyone to
+harm her.
+
+Dark brown eyes thoughtful, he sucked on a dopestick, peppermint
+flavored, while he waited. The mild euphoria helped the time pass. His
+sneaker clad feet hung over the edge, three stories up. He glanced up
+at the sky where a myriad of stars twinkled in the night. There wasn't
+much light pollution since electricity was a precious commodity on
+this planet. Neither of the two tiny moons were in the sky tonight.
+
+Rapid footsteps, soft, but firm, came down the alley. Mellie passed
+underneath his position as he slid back onto the roof. Her head turned
+right to left as her eyes scanned the area on both sides and in front.
+She spun suddenly, walking backward, so that she could scrutinize the
+section behind her. Harlan hugged the shadows, holding his breath. Her
+eyes flicked over him and went on.
+
+Facing forward again, she continued her walk. An Agalderan rodent, a
+puvu, which looked a lot more reptilian than mammalian, scurried
+across the alley in front of her. She ignored it. The animal turned to
+face the human, its shape a little odd. Harlan moved before he
+thought, swinging down from the roof to a balcony and from there to
+the ground in front of Mellie. He kicked the puvu up through the air,
+pivoted, and threw Mellie to the ground, his body covering hers. The
+puvu exploded with a loud bang and a hail of nails and staples. Harlan
+grunted.
+
+Mellie pushed him off and examined his back. There were several holes
+in his tunic, all becoming bloodier by the second. He tried to get up
+but didn't make it.
+
+"You complete idiot!" she snapped. "Now what am I going to do with
+you?"
+
+"Marry me?" he asked.
+
+She got him to his feet and with an arm draped over her shoulder, they
+started down the alley again.
+
+Her condo was on the 36th floor. They could take the elevator to the
+35th floor but had to walk up to the 36th. Elevators only stopped
+every 5 floors. Harlan was thankful that it was only one floor.
+
+She had a great view from one of the windows. The other windows looked
+out on the walls of the adjacent apartment complexes with their myriad
+windows. Sometimes a person would appear in one of the windows, but
+most of the time, the windows were closed and shaded.
+
+She made Harlan lie down on the sofa and got his shirt off. He had six
+holes in the skin of his back. She could see the metal shards sticking
+out from three of them. Taking out the shrapnel was punctuated by
+swearing and groans from Harlan. She cleaned the wounds and wrapped
+his chest. Then she made him a drink.
+
+As she sat beside him, her bright blue eyes evaluated him. She said "I
+suppose I should thank you for saving my life. But I'm just so mad at
+you for risking your own life and my cover that I can hardly speak."
+She took a gulp of her own drink.
+
+He rolled on his side and looked at her. She was staring out over the
+lights of the city, avoiding his gaze.
+
+"You have risked everything we've worked for. If I had been killed, it
+wouldn't have interfered with the plan. But if someone was watching,
+if someone saw your incredible theatrics, they will be adding two and
+two and getting 144." Her voice was rising in volume. "You're an
+idiot!"
+
+Harlan looked up at her and sighed. "I love you." Gently pushing her
+off the sofa, he managed to sit up with a lot of groaning. "There is
+no way I could stay on that roof and watch you be blown apart." He
+started to pull his bloody shirt back on. "So deal with it."
+
+She took the shirt from him and opened a closet. Pulling out a bag,
+she handed it to him. "I bought this for you a while ago. It should
+fit you."
+
+He put on the shirt. Looking in a mirror, he nodded. "I have to go.
+Thanks for patching me up." He walked to the door. "Oh. You never
+answered my question. Will you marry me?"
+
+She threw a pillow at him.
+
+Heading back to the same alley where the explosion took place, he came
+to a stop a block away. There were cops all over the place. He took to
+the roofs, approaching silently. Lt. Marks, Mellie's boss was standing
+by the burn scars on the building. He was speaking softly, but
+Harlan's hearing was excellent.
+
+"...know she was here." He waved a hand at the alley. "She came down
+from there. She must have been no more than twenty feet from the
+explosion. We should be looking at her body. But we aren't." He looked
+at his sergeant. "I want to know what happened here and I want to know
+tonight. Understand?"
+
+The sergeant nodded with a weary expression on his face and turned
+away. "Yessir."
+
+Harlan moved away, heading back to the streets and Emerald Hall.
+Santori, the head of the Resistance, needed to know about this. They
+might want to pull Mellie back to the Hall. Her cover might be broken.
+Mellie was right. The plans of the Resistance for reunification of the
+planet were more important than any one life. Except Mellie's.
+
+==== Mellie: Detective ====
+
+Melandra Kaminsky was the lowest of the low on the totem pole of
+detectives. At least in Homicide Division. She probably ranked a
+little higher than a few in Robbery or Vice. But she was new and young
+and had been naive at times. Harlan had helped her claw her way up the
+ladder in the department. He was the best man she had ever known.
+That's why she had taken Harlan back to her condo. That's why she was
+in love with him.
+
+She cursed herself frequently. Why had she picked a damn thief to fall
+for? Why not one of the detectives? Because the detectives were a
+bunch of crooked, arrogant losers and she hated them, one and all. For
+crying out loud, Harlan was the most ethical, moral man she had ever
+met. Except for the stealing, of course. He was also the bravest,
+smartest, and most impossible human being she knew.
+
+She had run across him when she was part of Robbery Division. He was
+supposed to be the best cat burglar in town. He had even robbed the
+Mayor! So when she showed up for the weekly, sometimes irregular,
+Resistance meeting, she was shocked to see Harlan drinking a mug of
+coffee and talking to Santori, the Head of the Resistance, usually
+called "Boss". Although she knew there were thieves, even servants and
+homeless in the group, she had thought Harlan would think himself
+above the petty politics of Agalder.
+
+She cornered him after the meeting and told him that his position in
+the Resistance made no difference. She was going to put him away. He
+just grinned at her and told her she was free to try. Boss came up to
+them at that point and told her that she was to lay off Harlan. He was
+too important to the Resistance. Harlan and Mellie both began
+complaining that she had to do her job or raise suspicions.
+
+Santori raised his eyebrow and asked "You want her to chase you?"
+
+Harlan grinned "She couldn't catch a hen in a chicken coop."
+
+Mellie had begun yelling at the thief when the "Boss" silently folded
+his tents and slipped away. Harlan seemed to enjoy the tirade. When
+she slowed down, he commented "You have a hell of a vocabulary." and
+walked away. And all she could do was sputter.
+
+She continued to try to trap the thief, but every plan she developed
+fell through. She'd see him grinning at her from across the air shafts
+between tenements or from the other side of the river.
+
+Then she caught him. Actually he caught her. He was sitting in a
+chair, waiting for her when she burst into the apartment. She heard a
+click as the door locked behind her. He ignored her gun and poured her
+a glass of wine. When she got over being furious, they talked, really
+talked, for hours. He let her go after kissing her thoroughly. She
+found that she couldn't think of anything else than Harlan, much to
+her annoyance.
+
+She dropped her obsession with the thief and started piling up
+arrests. Her case clearance rate climbed until it beat everyone
+else's. The Mayor gave her a commendation (and groped a feel at the
+same time). She appeared to be the darling of the department. And now
+somebody wanted her dead.
+
+When her partner, John Behan, a fiftyish balding man with a paunchy
+stomach, and two other detectives showed up at her apartment, she
+admitted to having been at the site of the explosion. She had come up
+with a story that fit the facts although it was a bit farfetched.
+Noting the raised eyebrows, she simply told them she'd see them at
+headquarters and shoved them out of her apartment. They couldn't
+exactly arrest her for not being murdered, so they left.
+
+The next morning, she got to headquarters very early, took the first
+case to come in, and got out before day shift showed up. When she
+brought in her catch of the day, a wife killer, the other shift had
+gone home. She kept this up for several days until her colleagues gave
+up trying to pin something on her for not being killed.
+
+Mellie ignored her partner and his buddies. She wasn't part of the
+'old boys' network' and never would be. She did her work and did it
+well. The Captain seemed to happy with her. And as she walked the
+grimy streets of Crater City, she felt a presence at her back and knew
+it was Harlan. She also felt the ghosts of the hundreds of thousands
+of people who had died on this planet. It was for those uneasy spirits
+that she had joined the Resistance. It was for them that she sought
+justice.
+
+==== Captain Tavis: Chief, Agalder Police Department (APD) ====
+
+Sam Tavis was an honest cop and had been amazed when he had progressed
+up the ranks so rapidly. He had expected his stubborn ethics would
+cause trouble and hold him back at some point. But his immediate
+superior had been a brilliant man and recognized the importance of
+having a totally trustworthy subordinate who could be duped into
+thinking that the Crater City Police Department was free of
+corruption. That had worked well until the time came when Tavis was
+faced with an untenable situation: support his boss or let a dozen
+innocent people die. He had saved the potential victims and his boss
+had died. The police force was turned inside out to find corrupt cops.
+Now he had a good group. He was pretty sure most of them were honest.
+
+He was almost totally certain about Mellie Kaminsky. She was as
+straight an arrow as he had ever seen. But there was something she
+hadn't told him. Now she was dodging any questions about what happened
+in the alley three nights ago. It wasn't like her and he was worried.
+
+He walked the same route she had that night through the safe zone
+around the headquarters, then into the dark alleys of Hollowtown, the
+area to the west of APD headquarters. He knew he was crazy to wander
+these alleys alone, but he had to see for himself. Garbage was piled
+high along the sides of the buildings. Some people just threw their
+refuse at the disposal openings and walked away, even if the noisome
+waste splattered against the side of the building. The openings to the
+trash disposals weren't all covered. He shuddered as he thought what
+could happen if a child climbed in there.
+
+Movement to his right caught his attention and he turned, drawing his
+laser gun. A shadow appeared farther down the alley. He had started in
+that direction, moving slowly and carefully when the knife entered his
+back silently and sliced through his spinal cord. He dropped like a
+discarded puppet, regretting that he wouldn't have time to finish his
+work. He looked at the shoes next to him as a hand reached over him
+and twisted the knife. Then his eyes only saw eternity.
+
+==== Harlan: Thief ====
+
+Harlan was the one who found him. He was heading to his rooftop
+guarding position the following morning when he saw the body. Thieves
+had made off with his gun, identification, badge, and wallet, but
+Harlan knew Sam Tavis. He sat on the ground, legs splayed out, back
+against the wall and didn't move for a long time.
+
+Mellie found him in the same position forty minutes later as she
+walked to work. At first she thought they both were dead. Then she saw
+the tears on Harlan's face. He didn't respond at first when she knelt
+beside him. Finally his eyes flicked to hers. He leaned forward and
+stood up.
+
+Looking down at her, he said "Put in the call. Don't mention me.
+They'll know I was here, but say I was gone when you got here." He
+didn't touch her, just turned and fled into the warren of alleys. She
+watched him go with eyes that were also brimming with tears.
+
+==== Lt. Marks - Chief of Detectives ====
+
+Looking down at the body of Sam Tavis, Jason Marks felt a deep sorrow.
+His naturally dark eyes were even darker than usual. His thinning hair
+was blowing in the cold wind that prowled this place. He'd been
+expecting this for years. Tavis had been an honest cop. And a stubborn
+one. The man had stood up to mafia bosses and leaders of cartels, to
+politicians and other cops. He'd never bent. Marks had known this
+would happen eventually. There were too many bad guys in the world.
+
+He knelt beside his friend and carefully removed the pendant around
+Tavis' neck. The chain was gold as was the rim around the stone, a
+dark brown, clear quartz from the Cairngorm Mountains in Scotland on
+Earth. He was surprised the thieves who had taken everything else,
+including his shoes and tie, hadn't stolen this. But he was glad to
+see it. Tavis and he had talked about death and the talisman that he
+now held no more than a couple of months ago. Sam had told him to give
+it to Mellie in case of his death and to tell her to pass it on to the
+one she loved. It belonged to her lover, the captain had said. Her
+lover would be next in line, but he refused to say who the man was or
+what he was in line for. He did say to pass it on with his blessing
+and his love, which confused Marks even more.
+
+Mellie was standing by a carryall, a self-operating vehicle that could
+carry either people or cargo. It would carry Sam Tavis to the morgue.
+
+He walked over to her and in a few brief sentences, told her what
+Tavis had charged him to do. He gave her the pendant and turned away
+to a group of detectives, examining a spot next to the body. The men
+were bent over, talking very softly with each other, looking at
+recorders that they held in their hands.
+
+"What have you found?" he asked. They looked up and spread out, making
+room for him. He realized that Mellie had followed him and noticed
+that they did not make enough room for her. He reached back and drew
+her into the circle, the others stepping back grudgingly.
+
+John Behan glanced at Mellie, then addressed Marks. "Someone was
+sitting here for quite a while. Close to an hour. Didn't move. Just
+sat there."
+
+Marks raised an eyebrow. "Do we have an identification?"
+
+"No, sir." another detective said. "But we should be able to come up
+with a name within the next couple of hours."
+
+Marks looked at Millie. "Was there anyone here when you arrived?"
+
+She shook her head. "I thought I heard footsteps running off, but by
+the time I checked for a pulse, I had no idea which alley to check."
+
+They all looked at the alleys. Five met in a conjunction, making a
+space larger than a couple of condos put together. Each of the alleys
+led off into darkness, three curving away, two leading straight out.
+
+Alex Biggers slammed his fist into a tossed away piece of sheetrock.
+"Why in hell was he down here by himself?"
+
+Marks looked down at his dead friend, then glanced at Mellie. "I want
+a name on my desk in the morning." he said as he stomped off down the
+alley.
+
+==== John Behan: Detective ====
+
+John Behan used to be the rising star of the Homicide Division. He had
+been young, buff, and ambitious. Before Agalder and especially Crater
+City had been forcibly returned to the Paleozoic Era, he had been
+optimistic about his future. He married a wonderful woman and they had
+talked of having children. But then this world, his world, fell apart.
+Alys was killed. An accident they said. But she was gone. Nothing left
+of her but pictures and memories.
+
+One of those memories crossed his mind and he smiled for just a
+moment. Biggers dropped a file in front of him and Alys disappeared
+into the recesses at the back of his mind.
+
+Biggers was only in his thirties, while Behan was forty-five now.
+
+"Don't strain yourself with this one, John." he said as he swaggered
+off.
+
+The younger guys considered Behan the 'Old Man'. Cocky bastard. he
+thought as he opened the file on his computer. The white screen went
+black for at least twenty seconds before it stabilized. He grimaced,
+mumbling "Piece of crap."
+
+A vid appeared on the screen. A young man with dark hair and dark eyes
+looked back over his shoulder as he raced up a fire escape that was
+missing several rungs. He practically flew up to the roof. Dressed in
+black tunic and jeans, he blended well with the dark building. But
+Behan knew that face. Harlan. The thief Mellie had been so obsessed
+with - until she wasn't. He wondered what had changed her mind.
+
+On the screen, a drone followed Harlan as he ran across roofs, jumped
+between buildings, slid down pipes, and scaled ladders. The drone was
+the only cop to keep up with him. Behan wondered why they hadn't
+turned loose the robots. Those hounds could have caught him. Of
+course, they were likely to tear him apart when they caught him. Maybe
+the bosses wanted him alive and undamaged.
+
+The drone dived and tried to hit Harlan on the back of the head.
+Harlan, however, wasn't cooperative. He ducked at the last moment and
+swung something black. The drone went offline.
+
+Behan leaned back in his chair and closed his eyes. That man was just
+too smart and too fast. He knew the city well and rarely ventured into
+the suburbs. Except that time that he had robbed the Mayor. The thief
+had stolen a statuette, reported to have been brought from Earth, a
+fat little guy with his belly button showing, sitting cross-legged
+with a silly smile on his face. The statue was supposed to be made of
+gold with jewels in the little guy's clothes and a big, fat diamond in
+his hands. Behan's lips curled upwards. The Mayor had been hopping
+mad. But the Mayor was an asshole. Most of the force had thought the
+episode funny, especially since Harlan had been so careful not to hurt
+anyone.
+
+The Mayor had tripled the security at his mansion. You'd think that
+when Harlan returned the statue without tripping any alarms, the Mayor
+would be grateful. No. The asshole went berserk. He'd come screaming
+into Sam Travis' office and thrown his hat at the Chief. Behan had
+been close by and he'd opened the Chief's door, causing the apoplectic
+Mayor to turn and stare at him. Behan had ignored the Mayor, asking
+the Chief. "Problem, Captain?"
+
+Tavis had grinned. "No. But thanks, John."
+
+Even now, with Tavis gone, that memory brought a feeling of pride.
+
+Biggers came back, a big grin on his face. "I knew it!" he crowed,
+waving a fax sheet. "The sitter, the person who spent nearly an hour
+sitting next to the Chief's body, was Harlan." He tossed the sheet on
+Behan's desk. "I had a feeling that thief was the one. He musta killed
+the chief. You think?"
+
+Behan ignored the question. The vibration report definitely identified
+Harlan as the individual who had sat, unmoving, next to Sam Tavis. He
+spoke without realizing it. "Like he was keeping vigil."
+
+"What?" asked Biggers. "What's a vigil?"
+
+"A time spent in prayer or grief, watching over something or someone."
+answered Behan. He stood up.
+
+Biggers backed off. "But why would that punk Harlan keep this vigil
+thing over the Chief?"
+
+Behan ignored him as he headed for the door.
+
+He found Melanie at her condo. He could see that she had been crying
+when she let him in.
+
+He took off his coat and put it on the couch, then sat beside it.
+"Mellie. We've got to talk. It's this Harlan guy, isn't it? You're in
+love with him. Are you helping him?"
+
+Mellie's head whipped around and she stared at her partner, face pale,
+eyes wide.
+
+Behan watched her. "You know, babe. I've got a lot more experience
+catching out liars than you have. You're not particularly good at
+this. You lied when you said no one was there when you found Captain
+Tavis. Harlan was there."
+
+He stood up, towering over her. "Wasn't he?!" he yelled in her face.
+
+Mellie backed up, looking frightened. Her hand came up to her mouth,
+and for a horrible moment, Behan thought she had a suicide pill. But
+she was just frightened and he took a deep breath.
+
+His voice dropped to a gentle whisper. "You love him, don't you?"
+
+Her eyes were full of tears as she nodded.
+
+"Why did he sit by the Chief's body for nearly an hour this morning?
+And where is he now?" Behan asked.
+
+"I don't know. All I know is that he was sitting by the Chief, holding
+his hand, crying. They had some sort of relationship and Harlan
+clearly loved him. He saw me and stood up, told me to call for help,
+and left. I don't know where he is or where he lives." She walked to
+the window, looking out at the city. "I know almost nothing about him
+except his beliefs. We've talked about morality and ethics." She
+turned back to him. "He's a good man, John. And, yes. I love him."
+
+Behan nodded. "Give him a message for me. Tell him that we need to
+talk. Soon. And set it up." He reached out, patted her on the
+shoulder, and left.
+
+==== Harlan: Thief ====
+
+He ran the roofs blindly. The world blurred past as the tears kept
+coming. He had never felt pain like this and he couldn't outrun it.
+His chest was tight and his breath came in short gasps, intermixed
+with sobs. It wasn't fair. It just wasn't fair. They hadn't had enough
+time together, not nearly enough, not since they had started playing
+their parts in this goddamn drama. His father the Chief of Police, he
+a common thief. Well, not common. His lips quirked.
+
+It had been nearly nine years since they had been father and son,
+except for stolen minutes now and again. Harlan sometimes surprised
+his father in the middle of the night, waking him from sleep for a ten
+minute chat. Usually scared the hell out of his dad, especially since
+the Chief lived on the eighteenth floor. But there was a balcony and
+that made it easy for Harlan, although his father never understood.
+
+He reached his home, an abandoned house on the north side of the city.
+He had managed to find a bed and a chair and a table. Home was always
+a temporary abode. He moved his residence frequently and kept it
+simple. Now he sat at the table and stared at a wall, not thinking,
+mind totally blank.
+
+It was hours later when he woke up. He had laid his head on the table
+and fallen asleep. The pain came crashing back down and he grunted.
+But it was time to find out what happened. In a little while he would
+sudz, depilate, and change clothes. There were people to visit.
+
+==== Alfie Gallagher: Thief and general all around thug ====
+
+Alfie Gallagher didn't have a lot of friends. Not necessarily because
+of his job, his work for the Syndicate. It was mainly because Alfie
+was a miserable excuse for a human being. He was a not too bright
+psychopath, a man who would have slit his mother's throat for a ten
+spot. In fact, he had done exactly that. In addition, he didn't wash
+very often.
+
+Sitting alone in the Rusty Blade, a rundown bar not very far from
+Harlan's temporary lair, Alfie was surprised when Diego Farley sat
+down across from him. Diego was a runner for the Syndicate.
+
+"Cassidy wants to see you." said the slim young man. The violaceous
+scar that ruined his right face twitched. "He's got a job for you."
+
+Farley started to rise from his chair, but Alfie grabbed his arm.
+"What kind of job?"
+
+Farley yanked his arm away, wiping it on his jacket as if something
+dirty had gotten on it. "How should I know? The big ones don't exactly
+consult me, now do they?" and he turned away.
+
+Alfie sat for another twenty minutes, then he dropped a coin on the
+table and left.
+
+The job was not to his liking. Cassidy was second-in-command to the
+Syndicate's Number One, Chas Hawkins. He had given Alfie his
+assignment and started back toward the big house when Alfie sputtered
+"But how am I gonna kill this guy if nobody knows where he is, where
+he lives. Nobody knows nothin'. I need some help."
+
+Cassidy looked back at the unshaven man with hair hanging in his eyes
+and the same clothes he'd been wearing for four days. "If you want to
+obtain information, take a sudz, clean up, shave, cut your disgusting
+hair, and then ask. No one wants to talk to a streetie." and he
+disappeared into the crowd.
+
+Alfie cleaned up. He rented a hole at the spaceport where passengers
+could sudz and sleep. He had stolen some clothes from the mission
+store. When he looked in the mirror after he shaved, he could barely
+recognize himself. He even brushed his teeth.
+
+He returned to the big house that served as Hawkins' headquarters here
+in the city. He found Cassidy in a large room overlooking what used to
+be a rose garden. The blackened plants were being removed by a couple
+of men in dark green one piece uniforms. Cassidy glanced at the two
+men sitting with him and they stood and left. Alfie sat down across a
+small table from the Second. "Okay. Now I'm clean and pretty. Tell
+me."
+
+Cassidy's lips quirked. "You can find him two houses down from the
+Blind Rat Tavern toward the dock. I think he is holed up in the
+attic." He waved dismissal at Alfie, who stood and started toward the
+door.
+
+"And, Alfie." Cassidy's voice stopped him. "If you want to be part of
+this organization, you will stay clean and pretty."
+
+==== Harlan: Thief ====
+
+The very soft sound of glass breaking far below woke him. He stood up
+from the table where he had fallen asleep again. A loose board below
+the shuttered window allowed him a small view of the street. His
+eyebrows rose. There were at least a dozen black clothed figures
+starting to enter the house. They must really want him this time.
+
+He reached over the table and pulled on a cord. A loud crashing
+followed by screams and loud cursing came from the first floor as a
+large part of the ceiling collapsed. Harlan smiled. He pushed a button
+next to the door. More yelling and cursing. A kitchen timer sat on the
+table. Harlan set it for three minutes, replaced it, and slipped out a
+trap door that led to the roof. He disappeared into the dusk as the
+third trap was sprung.
+
+==== Lt. Marks: Chief of Detectives ====
+
+Exasperated wasn't nearly a strong enough word, Jason Marks thought.
+Perhaps infuriated would cover it. He stood looking at the filthy,
+dust covered, bruised and scraped squad he had sent to pick up Harlan.
+They'd gotten his location and put the op together in a hurry. There
+was no way the thief could have known they were coming. Yet he had
+thwarted them and was gone.
+
+No one was seriously hurt. Harlan was like that, careful. He
+apparently didn't want to cause harm to anyone. But he was probably
+laughing on his way out the window.
+
+==== Alfie Gallagher: Thief, Apprentice Assassin ====
+
+Alfie got to the house in time to see a squad of the APD Elites going
+in the door. He watched for a while and heard the ceiling collapse in
+the hallway and the stairs crumple as they started to climb. He had to
+grin even as he thought that he might have been the one buried under
+the dust and dirt and what passed for spiders and bugs on this world.
+A cloud of dust spewed forth from the door and Alfie slid into the
+darkness.
+
+==== Mellie: Detective ====
+
+When Mellie opened the door and found Harlan leaning against the wall
+outside, eyes swollen and red, she said nothing. She simply took his
+arm and brought him inside. After steering him to the couch, she
+programmed drinks for both of them and then sat beside him.
+
+"He was your father, wasn't he?" she said softly.
+
+Harlan turned to her, eyes widening. "How did you find out?"
+
+Mellie smiled. "Just a good guess. You look alike in some ways. And
+you share his world view."
+
+He looked down into his drink, swirling the liquid around in the
+glass. "He was the best man I ever knew. We argued a lot, but he
+always kept it friendly, even humorous." His voice broke. "God, I
+loved him."
+
+She put her hand on his arm and leaned into him. "I loved him, too. He
+helped me so many times."
+
+Harlan turned and gathered her into his arms and they sat that way for
+a long time, sharing their grief.
+
+Harlan left early in the morning before dawn. He had to find Santorini
+and report. Mellie watched him go, the tears still on her cheeks.
+
+==== Santorini: "Boss" of the Resistance ====
+
+Santorini was still asleep when Harlan bypassed his security detail
+and shook him awake.
+
+"What the fuck?!" yelled the Boss. Three guards exploded through the
+door, guns raised. They grabbed Harlan and started to hustle him out
+of the room when Santorini stopped them.
+
+"But, Boss. He's an intruder. We have to..."
+
+"You have to figure out how he got in here. But leave him alone. He
+was just showing off."
+
+The Boss and Harlan watched the disgruntled guards leave before they
+spoke.
+
+"How the flaming Hell did you get in here?" Santorini hissed.
+
+Ignoring the question, Harlan continued staring at the door. Silently
+he stepped closer and yanked the door open. One of the guards stood,
+hunched over, an eavesdropper attached to the wood, extending to his
+ears. Harlan tore the device out of the man's ears, eliciting a yell
+of pain, ripped it off the wood, and slammed the door in the guard's
+face.
+
+He turned to the Boss. "I would change my guard detail if I were you."
+he said.
+
+But Santorini was already throwing the door open. The guards were
+backing off, blood running from the ears of one.
+
+"Jackson!" he bellowed. In seconds another guard appeared in a
+sleepfit, with a dart gun in his hand, two others behind him.
+
+"Take these three into custody. I will question them later." the Boss
+snarled and closed the door.
+
+"How?" he asked, looking at Harlan.
+
+"One guard asleep. Another alert but looking in the wrong direction
+for a couple seconds too long. And I'm just skinny enough to fit
+through the air vents." Harlan shrugged. "It was easy."
+
+Santorini ran his hand through his thinning hair. "You will drive me
+crazy eventually."
+
+He stood and walked to the window. He stood looking out for a full
+minute. When he spoke, his voice was soft. "I'm so sorry about your
+father, Harlan. He wasn't just one of the best men I've ever met, he
+was my friend."
+
+He turned and Harlan saw that his eyes were shining with unshed tears.
+"Do you have any ideas why he was killed?"
+
+Harlan shook his head. "He certainly had enemies enough. The Syndicate
+is probably celebrating tonight because of his death. The Hideout 12
+group are another possibility. We may have found their lair, but we
+still don't know much about them. We need to take members of that
+group alive to gather information. I have heard rumors of the thieves
+organizing as well." He frowned and rubbed his hands over his face.
+"Something big is going on and I haven't heard anything that lets me
+get a handle on it."
+
+He looked at the Boss. "The APD Elites paid me a visit tonight. I got
+out only because I had set up the traps."
+
+Santorini smiled. "I heard about that. Apparently Marks came close to
+having a stroke when the squad came stumbling back in, bruised and
+covered in dust. The Elites are going to have to work a lot in order
+to recover their shining reputation."
+
+The two men shared an amused grin.
+
+Harlan sat down on the edge of the bed. There were no chairs in the
+room. It was too small. Santorini refused to accept the ostentatious
+display of the previous 'Boss'.
+
+"Tell me about the raid on Hideout 12." said Harlan. "Do we know whose
+stronghold it was?"
+
+Santorini shook his shaggy head. "There are so many of the survivor
+gangs out in the wilds, it could be any one of them. We got lucky.
+This group was pretty sophisticated. They carved that place out of the
+obsidian formed during the Iron Wars. It means the tunnels wander up
+and down and the rooms are odd shapes, but the camouflage is great."
+
+Harlan leaned forward. "Why can't we turn that place into a trap for
+the Syndicate? We could drop a few hints about our new fortress where
+we keep our arsenal. I bet we could pick up a few Syndicate rats
+pretty easily."
+
+The Boss looked down at his hands. "Maybe. The idea has some merit.
+Let me think about it."
+
+==== Alfie: Thief, Would-be Assassin ====
+
+Everyone knew the approximate location of the Emerald Palace, the
+headquarters for the Resistance. So Alfie just wandered down the
+nearest street and set himself up when he had a good view of the
+undulating roof.
+
+Three hours later a figure appeared on the roof. Using his monoc,
+Alfie could see that it was Harlan. He lined up the shot as the best
+of the thieves looked around and then pulled his collar up. Gently,
+gently Alfie squeezed the trigger. The ancient sharpshooter rifle
+bucked into Alfie's shoulder and spat forth a bullet. The sound was
+deafening. Harlan dropped like a puppet whose strings have been cut.
+
+==== Alfie: Thief, Assassin ====
+
+Alfie broke down the rifle and packed it in a bag of groceries. He put
+the wig and scarf back on and within three minutes, as the Resistance
+fighters poured out onto the street, an overweight grandmother passed
+by, staring at them with open curiosity.
+
+When he reached the little trail into the park, he disappeared along a
+faint trail that led to a clearing. By the time Alfie reached the
+clearing, he had discarded his female disguise, turning the raincoat
+inside out and ripping off the lower half to form a leather jacket.
+His wig turned inside out to become a leather cap and the scarf went
+around his neck. The grocery bag and every other scrap of material
+went into sacks on either side of an air runner with lots of chrome.
+He looked like every other air rider. Totally forgettable. He walked
+the machine out to the street, waited until the road was clear both
+ways and slipped out of the woods and down the lane unseen.
+
+==== Santorini: Boss of the Resistance ====
+
+Jackson burst into Santorini's office about fifteen minutes after
+Harlan left. "Harlan's been shot!" he yelled.
+
+Santorini knocked over the lamp as he rushed from the room. "Where is
+he?"
+
+"They're bringing him down from the roof now." was the answer.
+
+The Boss skidded to a stop and turned around, facing Jackson. "Is he
+alive?" he asked in a softer voice.
+
+Jackson shook his head, his face somber, saying "I don't know."
+
+Santorini caught up with the medics as they reached the ground floor
+and started running down the corridors. The Boss raced alongside.
+Harlan had a breathing tube in his pharynx and a machine was assisting
+his respirations. His face was almost as pale as the white sheets and
+sweat dripped off him. His eyes were closed.
+
+The Boss called out to the head medic. "Mason. Did he say anything?"
+
+Mason didn't slow his pace or turn around. He called out over his
+shoulder. "He was unconscious when we got there, Boss. He wasn't even
+breathing. Sorry."
+
+Santorini dropped out and watched the group careen around the corner
+into the corridor that opened out into the clinic. He stood catching
+his breath for a minute and then turned back to his office. Getting
+his assistant on his wrist phone, he called for all the surveillance
+recordings in the area as well as overhead satellite and traffic cams.
+He also ordered teams of investigators, including robot cops, to start
+canvassing the neighborhood.
+
+An hour later they found footage of what happened on the roof. But all
+they saw was the muzzle flash. They triangulated it and found the spot
+the shooter had chosen for the ambush. Vibration evidence was sketchy
+since the spot was in a little garden and the plants interfered with
+the detectors. However, a preliminary id was consistent with the
+readings from a known thief named Alfie Gallagher. The word went out
+that the Boss wanted to 'speak' to this Alfie Gallagher.
+
+==== Alfie: Thief ====
+
+Alfie reported to Cassidy after shooting Harlan, but the man wanted
+proof of death. Alfie's description of the exceptional thief's demise
+wasn't sufficient. Alfie was seething. He stomped out of the big house
+and returned to his condo where he threw the wig/cap across the room.
+He was furious but not stupid. He wanted to get drunk but knew it
+would be counterproductive.
+
+The place to start would be the place he used for the shot, but when
+he got close, the area was crawling with Resistance techs. He backed
+off quietly and hurried down the hill. The fact that the Resistance
+had a forensic team scouring the area where he had been was evidence
+in itself that Harlan was dead. He was fairly sure that Cassidy
+wouldn't accept that conclusion, but he sent a coded message to the
+Second-in-Command.
+
+He worked his way back around the Emerald Palace to a house where he
+could watch the activity from a rooftop. Like some other houses still
+in use, this one had a makeshift chimney, added when the Iron Wars
+destroyed the energy net that had surrounded the planet, Alfie climbed
+a lattice slowly and quietly to the roof. He cursed under his breath
+as he climbed, muttering. "You'd think they'd make roses thornless
+after all these centuries." Then as he pulled up onto the roof, a
+slightly louder "Ouch!"
+
+Settling behind the chimney, he put on his monoc and prepared to wait.
+The wait was short. In fifteen minutes, a small woman in a forensics
+smock walked up to the house and activated the bell. Alfie could hear
+voices from below but couldn't make out the words. But the result was
+that a man came out of the house with an expanding ladder and leaned
+it against the edge of the roof. The ladder flowed upward, gripping
+the roof tightly, Alfie heard the woman thank the householder, who
+replied that he would be inside if she needed anything. Then there was
+silence as the woman climbed up to the roof.
+
+She stood up when she reached the top and began scanning the area with
+a high tech binoc. The appliance limited her near vision. Alfie
+slipped out of hiding and applied a drug spray gun to her exposed
+neck, then eased her down as she lost consciousness.
+
+To Alfie, it seemed that she weighed almost nothing. He threw her over
+his shoulder, collected his gear, and carefully walked to the opposite
+side of the roof. The roof of the neighboring home was only two meters
+away. He threw his gear bag across the gap, then tossed the woman
+over. She landed with a heavy 'thunk'. Alarmed, he waited several
+minutes before crossing over himself. From that roof, he was able to
+drop down three feet to a small garden behind the house. Using alleys
+and back gardens, he made his way to the edge of the wilderness. Then,
+having sent a second message to Cassidy, he sat and waited. Cassidy
+would want to talk to the forensics woman.
\ No newline at end of file