[ibg.git] / chapters / 10.rst

====================
Captain Fate: take 1
====================

.. epigraph::

   | |CENTER| *S was a sailor, and spent all he got;*
   | |CENTER| *T was a tinker, and mended a pot.*

.. only:: html

  .. image:: /images/picS.png
     :align: left

|S|\imple though they are, our two games have covered most of the basic
functionality of Inform, providing enough solid ground underfoot for you to
start creating simple stories. Even if some of what you've encountered
doesn't make sense yet, you should be able to browse a game's source code
and form a general understanding of what is going on.

We'll now design a third game, to show you a few additional features and 
give you some more sample code to analyse. In "Heidi" we tried to make 
progress step by step, explaining every bit of code that went into the 
game as we laid the objects sequentially; in "William Tell" you'll have 
noticed that we took a few necessary explanatory detours, as the 
concepts grew more interesting and complicated. Here we'll organise the 
information in logical didactic chunks, defining some of the objects 
minimally at first and then adding complexity as need arises. Again, 
this means that you won't be able to compile for testing purposes after 
the addition of every code snippet, so, if you're typing in the game as 
you read, you’ll need to check the advice in :ref:`compile-as-you-go`.

A lot of what goes into this game we have already seen; you may deduce 
from this that the game design business is fairly repetitious and that 
most games are, when you reach the programming bottom line, another 
remake of the same old theme. Well, yes and no: you've got a camera and 
have seen some short home videos in the making, but it’s a long way from 
here to Casablanca. To stick with the analogy, we'll now construct the 
opening sequence of an indie B-movie, a tribute to the style of 
super-hero made famous by a childhood of comic books:

.. pull-quote::

        "Impersonating mild mannered John Covarth, assistant help boy at an
        insignificant drugstore, you suddenly STOP when your acute hearing
        deciphers a stray radio call from the POLICE. There’s some MADMAN
        attacking the population in Granary Park! You must change into your
        Captain FATE costume fast...!"

which won't be so easy to do. In this short example, players will win 
when they manage to change into their super-hero costume and fly away to 
meet the foe. The confrontation will -- perhaps -- take place in some 
other game, where we can but hope that Captain Fate will vanquish the 
forces of evil, thanks to his mysterious (and here unspecified) 
superpowers.

Fade up on: a nondescript city street
=====================================

The game starts with meek John Covarth walking down the street. We set 
up the game as usual:

.. code-block:: inform

  !% -SD
  !============================================================================
  Constant Story "Captain Fate";
  Constant Headline
             "^A simple Inform example
              ^by Roger Firth and Sonja Kesserich.^";
  Release 3; Serial "040804";    ! for keeping track of public releases

  Constant MANUAL_PRONOUNS;
  Constant MAX_SCORE     2;
  Constant OBJECT_SCORE  1;
  Constant ROOM_SCORE    1;

  Include "Parser";
  Include "VerbLib";

  !============================================================================
  ! Object classes

  Class  Room
    with description "UNDER CONSTRUCTION",
    has  light;

  Class  Appliance
    with before [;
           Take,Pull,Push,PushDir:
             "Even though your SCULPTED adamantine muscles are up to the task,
              you don't favour property damage.";
         ],
    has  scenery;

  !============================================================================
  ! The game objects

  Room    street "On the street"
    with  name 'city' 'buildings' 'skyscrapers' 'shops' 'apartments' 'cars',
          description
              "On one side -- which your HEIGHTENED sense of direction
               indicates is NORTH -- there's an open cafe now serving
               lunch. To the south, you can see a phone booth.";

  !============================================================================
  ! The player's possessions

  !============================================================================
  ! Entry point routines

  [ Initialise;
      location = street;
      lookmode = 2;
      "^^Impersonating mild mannered John Covarth, assistant help boy at an
       insignificant drugstore, you suddenly STOP when your acute hearing
       deciphers a stray radio call from the POLICE. There's some MADMAN
       attacking the population in Granary Park! You must change into your
       Captain FATE costume fast...!^^";
  ];

  !============================================================================
  ! Standard and extended grammar

  Include "Grammar";
  !============================================================================

Almost everything is familar, apart from a few details:

.. code-block:: inform

  Constant MANUAL_PRONOUNS;
  Constant MAX_SCORE     2;
  Constant OBJECT_SCORE  1;
  Constant ROOM_SCORE    1;

By default, Inform uses a system of automatic pronouns: as the player 
character moves into a room, the library assigns pronouns like IT and 
HIM to likely objects (if you play "Heidi" or "William Tell" and type 
PRONOUNS, you can see how the settings change). There is another option. 
If we declare the ``MANUAL_PRONOUNS`` onstant, we force the library to 
assign pronouns to objects only as the player mentions them (that is, IT 
will be unassigned until the player types, say, EXAMINE TREE, at which 
point, IT becomes the TREE ). The behaviour of pronoun assignment is a 
matter of personal taste; no system is objectively perfect.

Apart from the constant ``MAX_SCORE`` that we have seen in "William 
Tell", which defines the maximum number of points to be scored, we now 
see two more constants: ``OBJECT_SCORE`` and ``ROOM_SCORE``. There are 
several scoring systems predefined in Inform. In "William Tell" we've 
seen how you can manually add (or subtract) points by changing the value 
of the variable :var:`score`. Another approach is to award points to 
players on the first occasion that they (a) enter a particular room, or 
(b) pick up a particular object. To define that a room or object is 
indeed “particular”, all you have to do is give it the attribute 
:attr:`scored`; the library take cares of the rest. The predefined scores 
are five points for finally reached rooms and four points for wondrous 
acquisition of objects. With the constants ``OBJECT_SCORE`` and 
``ROOM_SCORE`` we can change those defaults; for the sake of example, 
we've decided to modestly award one point for each. By the way, the use 
of an equals sign ``=`` is optional with ``Constant``; these two lines 
have identical effect:

.. code-block:: inform

  Constant ROOM_SCORE    1;

  Constant ROOM_SCORE  = 1;

Another difference has to do with a special short-hand method that 
Inform provides for displaying strings of text. Until now, we have shown 
you:

.. code-block:: inform

  print "And now for something completely different...^"; return true;
  ...
  print_ret "And now for something completely different...";

Both lines do the same thing: they display the quoted string, output a 
newline character, and return true. As you have seen in the previous 
example games, this happens quite a lot, so there is a yet shorter way 
of achieving the same result:

.. code-block:: inform

  "And now for something completely different...";

That is, *in a routine* (where the compiler is expecting to find a 
collection of statements each terminated by a semicolon), a string in 
double quotes by itself, without the need for any explicit keywords, 
works exactly as if there were a ``print_ret`` in front of it. Remember 
that this way of displaying text implies a ``return true`` at the end 
(which therefore exits from the routine immediately). This detail 
becomes important if we *don't* want to return true after the string 
has been displayed on the screen -- we should use the explicit ``print`` 
statement instead.

You'll notice that -- unusually for a room -- our ``street`` object has 
a :prop:`name` property:

.. code-block:: inform

  Room    street "On the street"
    with  name 'city' 'buildings' 'skyscrapers' 'shops' 'apartments' 'cars',
    ...

Rooms aren't normally referenced by name, so this may seem odd. In fact, 
we're illustrating a feature of Inform: the ability to define dictionary 
words as "known but irrelevant" in this location. If the player types 
EXAMINE CITY here, the interpreter will reply "That's not something you 
need to refer to in order to SAVE the day", rather than the misleading 
"You can't see any such thing". We mostly prefer to deal with such 
scenic words using classes like ``Prop`` and ``Furniture``, but 
sometimes a room's :prop:`name` property is a quick and convenient solution.

In this game, we provide a class named ``Appliance`` to take care of 
furniture and unmovable objects. You’ll notice that the starting room we 
have defined has no connections yet. The description mentions a phone 
booth and a café, so we might want to code those. While the café will be 
a normal room, it would seem logical that the phone booth is actually a 
big box on the sidewalk; therefore we define a :attr:`container` set in the 
street, which players may enter:

.. code-block:: inform

  Appliance booth "phone booth" street
    with name 'old' 'red' 'picturesque' 'phone' 'booth' 'cabin'
             'telephone' 'box',
         description
             "It's one of the old picturesque models, a red cabin with room
              for one caller.",
         before [;
           Open:
             "The booth is already open.";
           Close:
             "There's no way to close this booth.";
         ],
         after [;
           Enter:
             "With implausible celerity, you dive inside the phone booth.";
         ],
    has  enterable container open;

What's interesting are the attributes at the end of the definition. 
You'll recall from Heidi's ``nest`` object that a :attr:`container` is an 
object capable of having other objects placed in it. If we make 
something :attr:`enterable`, players count as one of those objects, so that 
they may squeeze inside. Finally, ``containers`` are, by default, 
supposed to be closed. You can make them :attr:`openable` if you wish 
players to be able to OPEN and CLOSE them at will, but this doesn't seem 
appropriate behaviour for a public cabin -- it would become tedious to 
have to type OPEN BOOTH and CLOSE BOOTH when these actions provide 
nothing special -- so we add instead the attribute :attr:`open` (as we did 
with the nest), telling the interpreter that the container is open from 
the word go. Players aren't aware of our design, of course; they may 
indeed try to OPEN and CLOSE the booth, so we trap those actions in a 
:prop:`before` property which just tells them that these are not relevant 
options. The :prop:`after` property gives a customised message to override 
the library’s default for commands like ENTER BOOTH or GO INSIDE BOOTH.

Since in the street's description we have told players that the phone 
booth is to the south, they might also try typing SOUTH. We must 
intercept this attempt and redirect it (while we're at it, we add a 
connection to the as-yet-undefined café room and a default message for 
the movement which is not allowed):

.. code-block:: inform

  Room    street "On the street"
    with  name city' 'buildings' 'skyscrapers' 'shops' 'apartments' 'cars',
          description
              "On one side -- which your HEIGHTENED sense of direction
               indicates is NORTH -- there's an open cafe now serving
               lunch. To the south, you can see a phone booth.",
          n_to cafe,
          s_to [; <<Enter booth>>; ],
          cant_go
              "No time now for exploring! You'll move much faster in your
               Captain FATE costume.";

That takes care of entering the booth. But what about leaving it? 
Players may type EXIT or OUT while they are inside an enterable 
container and the interpreter will oblige but, again, they might type 
NORTH. This is a problem, since we are actually in the street (albeit 
inside the booth) and to the north we have the café. We may provide for 
this condition in the room's :prop:`before` property:

.. code-block:: inform

  before [;
    Go:
      if (player in booth && noun == n_obj) <<Exit booth>>;
  ],

Since we are outdoors and the booth provides a shelter, it's not 
impossible that a player may try just IN, which is a perfectly valid 
connection. However, that would be an ambiguous command, for it could 
also refer to the café, so we express our bafflement and force the 
player to try something else:

.. code-block:: inform

  n_to cafe,
  s_to [; <<Enter booth>>; ],
  in_to "But which way?",

Now everything seems to be fine, except for a tiny detail. We've said 
that, while in the booth, the player character’s location is still the 
``street`` room, regardless of being inside a :attr:`container`; if players 
chanced to type LOOK, they'd get:

.. code-block:: transcript

  On the street (in the phone booth)
  On one side -- which your HEIGHTENED sense of direction indicates is NORTH --
  there's an open cafe now serving lunch. To the south, you can see a 
  phone booth.

Hardly an adequate description while *inside* the booth. There are 
several ways to fix the problem, depending on the result you wish to 
achieve. The library provides a property called :prop:`inside_description` 
which you can utilise with enterable containers. It works pretty much 
like the normal :prop:`description` property, but it gets printed only when 
the player is inside the container. The library makes use of this 
property in a very clever way, because for every LOOK action it checks 
whether we can see outside the container: if the container has the 
:attr:`transparent` attribute set, or if it happens to be :attr:`open`, the 
library displays the normal :prop:`description` of the room first and then 
the :prop:`inside_description` of the container. If the library decides we 
can’t see outside the container, only the inside_description is 
displayed. Take for instance the following (simplified) example:

.. code-block:: inform

  Room    stage "On stage"
    with  description
              "The stage is filled with David Copperfield's
               magical contraptions.",
          ...

  Object  magic_box "magic box" stage
    with  description
              "A big elongated box decorated with silver stars, where
               scantily clad ladies make a disappearing act.",
          inside_description
              "The inside panels of the magic box are covered with black
               velvet. There is a tiny switch by your right foot.",
          ...
    has   container openable enterable light;

Now, the player would be able to OPEN BOX and ENTER BOX. A player who
tried a LOOK would get:

.. code-block:: transcript

  On stage (in the magic box)
  The stage is filled with David Copperfield's magical contraptions.

  The inside panels of the magic box are covered with black velvet. There is a
  tiny switch by your right foot.

If now the player closes the box and LOOKs:

.. code-block:: transcript

  On stage (in the magic box)
  The inside panels of the magic box are covered with black velvet. There is a
  tiny switch by your right foot.

In our case, however, we don't wish the description of the street to be 
displayed at all (even if a caller is supposedly able to see the street 
while inside a booth). The problem is that we have made the booth an 
:attr:`open` container, so the street's description would be displayed every 
time. There is another solution. We can make the :prop:`description` 
property of the ``street`` room a bit more complex, and change its 
value: instead of a string, we write an embedded routine. Here's the 
(almost) finished room:

.. code-block:: inform

  Room    street "On the street"
    with  name 'city' 'buildings' 'skyscrapers' 'shops' 'apartments' 'cars',
          description [;
              if (player in booth)
                  "From this VANTAGE point, you are rewarded with a broad view
                   of the sidewalk and the entrance to Benny's cafe.";
              else
                  "On one side -- which your HEIGHTENED sense of direction
                   indicates is NORTH -- there's an open cafe now serving
                   lunch. To the south, you can see a phone booth.";
          ],
          before [;
            Go:
              if (player in booth && noun == n_obj) <<Exit booth>>;
          ],
          n_to cafe,
          s_to [; <<Enter booth>>; ],
          in_to "But which way?",
          cant_go
               "No time now for exploring! You'll move much faster in your
                Captain FATE costume.";

The description while inside the booth mentions the sidewalk, which 
might invite the player to EXAMINE it. No problem:

.. code-block:: inform

  Appliance "sidewalk" street
    with  name sidewalk' 'pavement' 'street',
          article "the",
          description
              "You make a quick surveillance of the sidewalk and discover much
               to your surprise that it looks JUST like any other sidewalk in
               the CITY!";

Unfortunately, both descriptions also mention the café, which will be a 
room and therefore not, from the outside, an examinable object. The 
player may enter it and will get whatever description we code as the 
result of a LOOK action (which will have to do with the way the café 
looks from the *inside*); but while we are on the street we need 
something else to describe it:

.. code-block:: inform

  Appliance outside_of_cafe "Benny's cafe" street
    with  name 'benny^s' 'cafe' 'entrance',
          description
              "The town's favourite for a quick snack, Benny's cafe has a 50's
               ROCKETSHIP look.",
          before [;
            Enter:
              print "With an impressive mixture of hurry and nonchalance
                  you step into the open cafe.^";
              PlayerTo(cafe);
              return true;
          ],
    has   enterable proper;

.. index:: accented characters

.. note::

   Although the text of our guide calls Benny's establishment a "café" --
   note the acute "e" -- the game itself simplifies this to "cafe".  We do
   this for clarity, not because Inform doesn't support accented
   characters. The |DM4| explains in detail how to display these characters
   in :dm4:`§1.11 <s1.html#s1_11>` "*How text is printed*" and provides the
   whole Z-machine character set in Table 2. In our case, we could have
   displayed this::

      The town's favourite for a quick snack, Benny's café has a 50's ROCKETSHIP look.

   by defining the :prop:`description` property as any of these:

   .. code-block:: inform

     description
         "The town's favourite for a quick snack, Benny's caf@'e has a 50's
          ROCKETSHIP look.",

     description
         "The town's favourite for a quick snack, Benny's caf@@170 has a 50's
          ROCKETSHIP look.",

     description
         "The town's favourite for a quick snack, Benny's caf@{E9} has a 50's
          ROCKETSHIP look.",

   However, all three forms are harder to read than the vanilla "cafe", so 
   we've opted for the simple life.

Unlike the sidewalk object, we offer more than a mere description. Since 
the player may try ENTER CAFE as a reasonable way of access -- which 
would have confused the interpreter immensely -- we take the opportunity 
of making this object also :attr:`enterable`, and we cheat a little. The 
attribute :attr:`enterable` has permitted the verb ENTER to be applied to 
this object, but this is not a :attr:`container`; we want the player to be 
sent into the *real* café room instead. The :prop:`before` property handles 
this, intercepting the action, displaying a message and teleporting the 
player into the café. We ``return true`` to inform the interpreter that 
we have taken care of the ``Enter`` action ourselves, so it can stop 
right there.

As a final detail, note that we now have two ways of going into the 
café: the :prop:`n_to` property of the ``street`` room and the ``Enter`` 
action of the ``outside_of_cafe`` object. A perfectionist might point 
out that it would be neater to handle the actual movement of the player 
in just one place of our code, because this helps clarity. To achieve 
this, we redirect the street's :prop:`n_to` property thus:

.. code-block:: inform

  n_to [; <<Enter outside_of_cafe>>; ],

You may think that this is unnecessary madness, but a word to the wise: in
a large game, you want action handling going on just in one place when
possible, because it will help you to keep track of where things are
a-happening if something goes *ploof* (as, believe us, it will; see
:doc:`16`). You don't need to be a perfectionist, just cautious.

A booth in this kind of situation is an open invitation for the player to
step inside and try to change into Captain Fate's costume. We won't let
this happen -- the player isn't Clark Kent, after all; later we'll explain
how we forbid this action -- and that will force the player to go inside
the café, looking for a discreet place to disrobe; but first, let's freeze
John Covarth outside Benny's and reflect about a fundamental truth.

A hero is not an ordinary person
================================

Which is to say, normal actions won't be the same for him.

As you have probably inferred from the previous chapters, some of the 
library’s standard defined actions are less important than others in 
making the game advance towards one of its conclusions. The library 
defines PRAY and SING, for instance, which are of little consequence in 
a normal gaming situation; each displays an all-purpose message, 
sufficiently non-committal, and that's it. Of course, if your game 
includes a magic portal that will reveal itself only if the player lets 
rip with a snatch of Wagner, you may intercept the ``Sing`` action in a 
:prop:`before` property and alter its default, pretty useless behaviour. If 
not, it's "Your singing is abominable" for you.

All actions, useful or not, have a stock of messages associated with them
(the messages are held in the ``english.h`` library file and listed in
:dm4:`Appendix 4 <sa4.html>` of the |DM4|). We have already seen one way of
altering the player character's description -- "As good looking as ever" --
in "William Tell", but the other defaults may also be redefined to suit
your tastes and circumstantial needs.

John Covarth, aka Captain Fate, could happily settle for most of these 
default messages, but we deem it worthwhile to give him some customised 
responses. If nothing else, this adds to the general atmosphere, a 
nicety that many players regard as important. For this mission, we make 
use of the ``LibraryMessages`` object.

.. code-block:: inform

  Include "Parser";

  Object  LibraryMessages         ! must be defined between Parser and VerbLib
    with  before [;
            Buy:    "Petty commerce interests you only on COUNTED occasions.";
            Dig:    "Your keen senses detect NOTHING underground worth your
                     immediate attention.";
            Pray:   "You won't need to bother almighty DIVINITIES to save
                     the day.";
            Sing:   "Alas! That is not one of your many superpowers.";
            Sleep:  "A hero is ALWAYS on the watch.";
            Strong: "An unlikely vocabulary for a HERO like you.";
            Swim:   "You quickly turn all your ATTENTION towards locating a
                     suitable place to EXERCISE your superior strokes,
                     but alas! you find none.";
            Miscellany:
              if (lm_n == 19)
                  if (clothes has worn)
                      "In your secret identity's outfit, you manage most
                       efficaciously to look like a two-cent loser, a
                       good-for-nothing wimp.";
                  else
                      "Now that you are wearing your costume, you project
                       the image of power UNBOUND, of ballooned,
                       multicoloured MUSCLE, of DASHING yet MODEST chic.";
              if (lm_n == 38)
                  "That's not a verb you need to SUCCESSFULLY save the day.";
              if (lm_n == 39)
                  "That's not something you need to refer to in order to
                   SAVE the day.";
        ];

  Include "VerbLib";

If you provide it, the ``LibraryMessages`` object must be defined 
*between* the inclusion of ``Parser`` and ``VerbLib`` (it won't work 
otherwise and you’ll get a compiler error). The object contains a single 
property -- :prop:`before` -- which intercepts display of the default 
messages that you want to change. An attempt to SING, for example, will 
now result in "Alas! That is not one of your many superpowers" being 
displayed.

In addition to such verb-specific responses, the library defines other 
messages not directly associated with an action, like the default 
response when a verb is unrecognised, or if you refer to an object which 
is not in scope, or indeed many other things. Most of these messages can 
be accessed through the ``Miscellany entry``, which has a numbered list 
of responses. The variable ``lm_n`` holds the current value of the 
number of the message to be displayed, so you can change the default 
with a test like this:

.. code-block:: inform

  if (lm_n == 39)
      "That's not something you need to refer to in order to SAVE the day.";

where 39 is the number for the standard message "That's not something 
you need to refer to in the course of this game" -- displayed when the 
player mentions a noun which is listed in a room's name property, as we 
did for the ``street``.

.. note::

   Remember that when we are testing for different values of the 
   same variable, we can also use the switch statement. For the 
   Miscellany entry, the following code would work just as nicely:

   .. code-block:: inform

     ...
     Miscellany:
       switch (lm_n) {
         19:
           if (clothes has worn)
               "In your secret identity's outfit, you manage most
                efficaciously to look like a two-cent loser, a
                good-for-nothing wimp.";
           else
               "Now that you are wearing your costume, you project
                the image of power UNBOUND, of ballooned,
                multicoloured MUSCLE, of DASHING yet MODEST chic.";
         38:
           "That's not a verb you need to SUCCESSFULLY save the day.";
         39:
           "That's not something you need to refer to in order to SAVE the day.";
       }

Not surprisingly, the default message for self-examination: "As good 
looking as ever" is a ``Miscellany`` entry -- it's number 19 -- so we 
can change it through the ``LibraryMessages`` object instead of, as 
before, assigning a new string to the ``player.description property``. 
In our game, the description of the player character has two states: 
with street clothes as John Covarth and with the super-hero outfit as 
Captain Fate; hence the ``if (clothes has worn)`` clause.

This discussion of changing our hero's appearance shows that there are 
different ways of achieving the same result, which is a common situation 
while designing a game. Problems may be approached from different 
angles; why use one technique and not another? Usually, the context tips 
the balance in favour of one solution, though it might happen that you 
opt for the not-so-hot approach for some overriding reason. Don't feel 
discouraged; choices like this become more common (and easier) as your 
experience grows.

.. Ugh.  Ghastly, but it does the job.

.. |WNL_LATEX| replace:: :latex:`\emph{\textbf{whatever new look}}`

.. |WNL_HTML|  replace:: :html:`<strong><em>whatever new look</em></strong>`

.. note::

   Going back to our example, an alternative approach would be to set the
   variable ``player.description`` in the ``Initialise`` routine (as we did
   with "William Tell") to the "ordinary clothes" string, and then later
   change it as the need arises. It is a variable, after all, and you can
   alter its value with another statement like ``player.description =``
   |WNL_LATEX| |WNL_HTML| anywhere in your code. This alternative solution
   might be better if we intended changing the description of the player
   many times through the game. Since we plan to have only two states, the
   ``LibraryMessages`` approach will do just fine.

A final warning: as we explained when extending the standard verb 
grammars, you *could* edit the appropriate library file and change all 
the default messages, but that wouldn't be a sound practice, because 
your library file will probably not be right for the next game. Use of 
the ``LibraryMessages`` object is strongly advised.

If you're typing in the game, you'll probably want to read the brief
section on :ref:`compile-as-you-go` prior to performing a test compile.
Once everything's correct, it’s time that our hero entered that enticing
café.